IRMA records
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11 brani dove si racchiude tutto in nostro mondo artistico, dallo swing al latin, dalla leggerezza dei brani come Zan zarà o Vado male in latino passando ad argomenti più profondi e riconoscibili come ne L’Amore che ti prende all’improvviso, Chi l’ha detto e L’attore. Abbiamo cercato di riportare in questo album oltre alla musica,...
Ze Hop started simply as an idea of Serena Zaniboni (voice, visual). From different sounds and collaborations with Claudio Vignali (keyboards) and the DJ and producer Michele Neri, also known as DJ Molesto (beat producer), it has evolved to what it is today. The sounds of Ze Hop during their live performances are complimented by...
Deepening of a Groove is the new LTJ XPERIENCE‘s album, the fifth dedicated to the research of sounds Disco Funk from its origins revisited by today’s rhythms and the dancefloor feeling of 2000. For the first time on this album 4 sung songs appear. Bad Side (already released in single version) and Infiltrator are sung...
The second volume for the compilation This Is Soulful House from the IRMA Records catalog. With these sounds reminiscent of the most classic sounds of House Music and the inspiring feeling of the Soul song of these times, finally, they are able to transmit positive and sensitively soothing vibrations suitable for both dance and listening....
I Malvax sono una band che nasce nel 2014 a Pavullo nel Frignano, nel mezzo dell’appennino modenese, da un’idea di Giacomo Corsini (batteria) e Lorenzo Morandi (voce e chitarre). Nel corso dell’anno si uniscono poi al gruppo Alessandro Covili (basso), Francesco Lelli (chitarra) e Francesco Ferrari (tastiere). Iniziano la loro attività live come cover band,...
Eyes is the first unreleased track by D-Like, the new project with which D’Andy & Bodyles, the duo of Neapolitan producers who produced the album Italian Souful, can find the right balance between classic disco-funk and new sound electronic inspirations. The song is proposed in a double version: soulful and smooth. In both, there is...
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